
Play some funky music, Adam.
Right off the bat I want to make it clear that this is not a case of sour grapes or fan frustration. I like Adam Lambert, considered by many to be the front-runner on Season 8 of Fox’s “American Idol.” While I’m rooting for Kris Allen, I still think the theatrical Lambert will take home the crown, and no worries: Allen still has a solid career ahead of him and I’m looking forward to his first album.
What’s irritating, however, is how the producers of “Idol” seem to be running a full-fledged campaign for Lambert, based on the way they’ve been staging his performances. Take, for instance, his recent belt of “Feeling Good.” Unlike the four other finalists, Lambert was allowed to use the staircase to make his grand entrance. (There was even a nice reverse shot.) And often Lambert is the final act (although 1. this could be determined by lot, and 2. this is not always a good thing, particularly when the show runs long; one week most folks’ DVRs cut off Lambert’s song entirely).
And while it didn’t happen this week, on two prior weeks the director has cut away from Lambert to a close-up of judge Paula Abdul, overcome with emotion.
It could be argued that even if the “Idol” producers are, indeed, showing favoritism in staging toward Lambert, it’s not working; after all, he was in the bottom three this week. But when you have only five contestants and 47 million people have voted, odds are this isn’t exactly panic time for Lambert.
And perhaps the producers are allowing a little extra camera wizardry and staging for certain performers simply to make their show more of an entertainment series and less of an amateur hour. But that extra camera move or close-up or flashy entrance can impact the voting.
If Lambert indeed is this year’s “Idol,” it will be well-deserved, but shame on the “Idol” producers and directors if they’ve made the young man their pet project.

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